“This production by the Reverie Theatre in Austin reminded me why a theatre writer pursues the art. Their staging of  Outside Mullingar  is the sort of revelation that moves, surprises, intrigues and removes you entirely from the here and now…Only a

Outside Mullingar

Reverie Theatre Company - Austin, TX
Written by John Patrick Shanley
Directed by Michael Cooper
Costumes/Sets by Erin Una Olson
Produced by Erin Una Olson and Luke Hill
Starring Erin Una Olson, Luke Hill, Laurie Coker, Tom Swift and Michael McCauley

Nomination - Best Small Cast Performance - B. Iden Payne Awards 2019

Nomination - Best Leading Actress in a Drama - BroadwayWorld Awards 2019

 “This production by the Reverie Theatre in Austin reminded me why a theatre writer pursues the art. Their staging of  Outside Mullingar  is the sort of revelation that moves, surprises, intrigues and removes you entirely from the here and now…Only a

“This production by the Reverie Theatre in Austin reminded me why a theatre writer pursues the art. Their staging of Outside Mullingar is the sort of revelation that moves, surprises, intrigues and removes you entirely from the here and now…Only about once a season do we get a production of this depth, intimacy, and authenticity…Erin Una Olson as Rosemary is sharp, sullen and assertive. She is a brooding, powerful presence.”

-Michael Meigs, CTXLiveTheater.com

 “Rosemary Muldoon is given life by the exquisite, multi-talented Erin Una Olson. Rosemary is a fiery spirit with a cunning brain and a seemingly infinite amount of patience. Olson relishes this role with the hunger of a hostage and it is a delicious

“Rosemary Muldoon is given life by the exquisite, multi-talented Erin Una Olson. Rosemary is a fiery spirit with a cunning brain and a seemingly infinite amount of patience. Olson relishes this role with the hunger of a hostage and it is a delicious performance. Olson also provides elaborate set and costume designs just right for the space.”

-Jesse Griffith, BroadwayWorld.com

 The costume design was based on photographic research of farming families in Ireland in the early 2000s.

The costume design was based on photographic research of farming families in Ireland in the early 2000s.

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 The set design was a particular challenge. It was an extremely small stage and the play required multiple locations indoors and out with a very low budget. We used the intermission to change the home from the Reilly’s to the Muldoon’s using small to

The set design was a particular challenge. It was an extremely small stage and the play required multiple locations indoors and out with a very low budget. We used the intermission to change the home from the Reilly’s to the Muldoon’s using small touches to signal the transformation.

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